US Copyright Attorneys

Protect Your Creative Works

Did you know that to enforce your copyright rights you must file for federal copyright registration? And the powerful copyright rights only apply if you file before others copy you. Many artists, authors, photographers, designers, performers, and others are denied justice because they rely on the so-called “automatic copyright.” Sadly, that “automatic copyright” is almost never enough.

Pearson Butler’s proprietary copyright process keeps the process simple for you while eliminating common mistakes made by other professionals. For experienced guidance from a team of US copyright lawyers who have the resources to provide personalized and attentive counsel, do not hesitate to contact the firm.

Arrange your confidential copyright consultation today by calling (800) 265-2314.

The Incredible Value of Copyright Registration

Automatic copyright comes into play as soon as you create something that is in a fixed form. If you draw or paint something, record or write down some music, you have automatic copyright protection, which is great. For example, I took a photo of my friend, Milo Tenney, and have attached it to this article. Even without registration, I have rights in the photo and if people copy it, I can stop them.

The only problem with that is that it does not give much of actual protection. It only can stop someone from copying it. Once you’ve proven that someone has copied, that they shouldn’t have copied, that they had access to copying, and that you really own it, there is a lot you have to do, and all that work does, in the end, is stop them. So, unless I get registration on this photo of Milo, it will be pretty hard for me to stop you from copying it. You could enter it into a photo-editing contest, and, unless I’m willing to really put some effort into stopping it, I am out of luck and poor Milo could end up looking ridiculous. That would just be terrible…

That’s where copyright registration really starts pulling its weight. For example, let’s say someone broke into your house and stole your stuff. If the penalty—after you proved that they did that, that the stuff was actually yours, that they shouldn’t have done that, and that they should have known they shouldn’t have done that—was just that they had to give the stuff back, that would not be enough. We’d have a lot more people stealing from each other. So instead, the penalty is much bigger than that.

It is the same with copyright registration. The penalty is much bigger if you have a registration: you can get up to $150,000 per infringement, and you don’t have to prove that they actually damaged you.

What is also great about copyright registration is if you get a copyright registration in the United States, your copyright registration extends to pretty much the rest of the world. There are 180 countries that are part of the Berne Convention, which is a treaty that said if you get a copyright registration in one of these countries, it counts as if you have filed a copyright registration in each one of those countries. For cheap, you can get worldwide copyright protection on any creative output: designs, comics, games, music, films, videos, performances, artwork, sculptures, etc., all over the world. Compared to the cost of worldwide protection on trademarks or patents, this is unbelievable.

One key to remember is that the extra damages you can get with copyright registration only apply if the copying happens after you file for the copyright registration. You have to file first. Make sure that you register before you put yourself at risk for someone stealing from you.

Out of all the various types of intellectual property, copyright registrations are the cheapest, easiest to get, and the least trouble. Just make sure it’s part of your regular routine to file those.

If you want to file them yourself, which out of all the different kinds of registrations you’re the most likely to succeed at doing it yourself, go to copyright.gov. It’s a great place to go to get more information and to file. If you file there, then you’re looking at a small government fee of less than $100. If you want to be sure it is done correctly, hire an attorney to file it for you. It will cost more, but security and peace of mind are valuable, too.

How Pearson Butler’s Copyright Team Can Help

When you work with the team of copyright professionals at Pearson Butler, you can expect to receive stellar service and representation. Counsel is built on a true understanding of the creative process and the commitment to do everything possible to keep you out of the drudgery of legal work while protecting your creations in the U.S. and internationally.

Your Utah copyright attorney can help you protect:

• Marketing materials (e.g. brochures, pamphlets, websites, characters/mascots)
• Packaging (e.g. package art/layout, inserts)
• Books/manuals (e.g. workbooks, textbooks, books for speaker credibility, scripts, screenplays)
• Websites (e.g. online retail, online membership clubs, cloud-based services, subject-matter expert sites)
• Videos/movies/multimedia (e.g. training videos, films, sales presentations, interactive experiences)
• Software/games (e.g. smartphone apps, online multiplayer games, social media applications, marketing automation tools)
• Graphic art/paintings/drawings (e.g. graphic design work, high art, artistic renderings, architectural drawings/designs, comics, cartoons)
• Music/songs/sound recordings (e.g. band albums, soundtracks, background music for games, instructional audios)
• Online news/information platforms: (e.g. magazines/E-zines, newspapers, blogs)

Interested in learning more? Contact Pearson Butler by calling (800) 265-2314 or online to schedule a consultation.